I know I have threatened to write a
bout The Flaps in the past, but somehow never getting around to it and although they did get a a very brief mention in my ravings about the Empiricals, a few years ago, they certainly deserve much more – and what perfect timing now that they have a new album “Again” out on the wonderful Kelp Records – http://kelprecords.com/theflaps/the-flaps-rise-from-the-ashes-with-again-2/ .
Thanks to DJ tic at CKCU and an interview he had with some members of the band (John Higney and Martin Newman), I was made aware of their second release and just missed out on winning a copy of the disc because I
was dumb enough to mistype his e-mail (I really didn’t mind purchasing a copy from Compact Music as I can support the band and one of the great Ottawa record stores). I really enjoyed the tracks that tic played that Wednesday, and their first self titled album is also favourite of mine, not to mention that Pat Lawlor also played in another one of my favourite bands from Ottawa, Polaris before forming The Flaps.
With music that is called “instromadness” and the band described as follows: “Four misshapen misfits, non-standard arrangements of jazz standards, a disturbing instrumental reworking of Shonen Knife, and original numbers that evoke an amusement park ride, a candy apple, a midway, or outer/inner space travel. This is The Flaps.” – how can you not love them and be a little intrigued at what sonic sculptures or aural/visual masterpieces these veterans of the Ottawa music scene will create as they serve their interpretation of surf, jazz, psych, pop, rock, ambient, exotica and more.
I always find it hard to describe great music and I will do what I usually do and ramble on about some of the musical references that come to my head and in this case also the images that The Flaps paint in my mind **.
With The Flaps it is a bit easier to do in some ways as these guys have just written the soundtrack to your life or at least someone’s life, full of colourful characters and exotic places without even uttering a word and to top it off, they have invited you to join them for an amazing ride, a party in your mind. So don’t go another minute in the dull aural emptiness you call existence, but fill your ears with the world-roving, mind-expanding sound of The Flaps.
“Oriental Twist” starts out with you heading out to a happening go-go twist party somewhere far away and possibly lost in time where the young Ventures roam and possibly some Huntington Cads, a few Halibuts and maybe even a few Insect Surfers. This is followed by a jazzy diversion in “Smells Like Awesome” as you board a plane that will take you to an exotic tropical island in “No Maui” full of beautiful sounds and colours and maybe a few Tiki Tones.
Then things get a bit darker, creating a somber mood till your heart starts pounding and the pace quickens to “Escape The Sight Of Death” only to lead you face to face with “Mephisto” who holds you hostage in his tortured world. You somehow manage to escape this nightmare to find yourself back on the island and this time on the beach as a “Dunebuggy” goes racing past with the mist of the waves and the sand swirling past you and the beautiful people on the beach.
Too much excitement you say, well the perfect time to relax at the upscale lounge sipping your martini and soaking in the sounds of the “Day Of Langour” – a cocktail jazz meets a bohemian bachelor pad concoction, that these swinging cats are playing – a place where Juan García Esquivel would feel right at home.
A perfect ending to an adventure packed day and now “Night Is Going To Fall” as you put the needle down on your Frields Of Dean Martinez record and sink deeply into your bed and drift off to sleep.
You awaken to meet another day ahead and the silence is broken by the sound of “Strange Guests” next door, as a sitar echoes and creeps through the cracks and crevices only to mutate into a cacophony of sounds that can almost melt your brain. Oh, the strange things that chemicals do to people, as you escape to the quiet of the outdoors with the soothing “Waltz” a Calexico so
und comforting your ears only to be interrupted by some rocking sounds that blend into what sounds like The Animals as you see in the distance a ‘house in the rising sun’.
It’s going to be a warm day and this trek is seems longer as the sun beats down on you. You hope for some shade – oh, “The Importance Of Understanding Clouds” & wouldn’t it just be nice to just drift through them. The City is coming to life and in “The Wiper”, things get hectic, noisy, but somehow still laid back and fuzzy as you find the groove that melts the pavement beneath your feet. How can you describe all this “What Is The Word?” you’re searching for – “Alive”; “Exciting”; “Magnificent”; “Impeccable”; “Exotic”; “Essential” ? – or maybe it’s just “AGAIN” by The Flaps. -Click here for their site.
** – Disclaimer: “These are just my thoughts and images and I’m sure they don’t resemble yours or anyone’s living or dead and you will have to manufacture your own!”- Wally




Very exciting times these – Three albums in less than two years from our favourite new band and each one better than the last. Dot Dash invented the “Post Mod” genre and now with this album has perfected the sound. Urgent, Exciting, Concise and yet so timeless and ageless. Can it get any better than this? Only Dot Dash know for sure and time may tell the answer, but for now immerse yourself in the one of the finest releases of the year, maybe even of this decade.
Once again we are proud to release our new label sampler. The free download is available here: 




update and it hasn’t even been 3 years since the last one – getting a bit ambitious aren’t we.
have a few new releases this year, starting with another Free Label Sampler (after the huge success of our last one which crashed our system- so if we seem to vanish for a while you’ll know why) so you can hear a few songs from some recent releases and to whet your appetite for some that are just around the corner – we may even include a song or 2 not on our label just to confuse you.





A seven year world-wide search for Dreamworld recording artists, The Impossible Years, has located Todd Shuster as he is reviving his original band, The Jags (not the UK version), and efforts are under way for a blog interview and a TVP cover (which is now completed). Schuman The Human will serve up a hauntingly classic version of “Look Back In Anger” and even includes the fine talents of one of my favourite drummers and Creation Records staple, Dave Morgan (The Loft, The Weather Prophets, The Rockingbirds, etc. etc.). You will certainly fall in love with The Just Joans cover, who have just released their first album (on vinyl!!) and will likely be a household name soon as they play many of the UK festivals. “Painting by Numbers” is given an interesting facelift by Norb Payr of The Jaybirds and Subcandies fame. Robert Scott from The Bats (who also released an amazing solo album recently) contributed a track as did fellow New Zealanders, The Puddle. Bright Lights Big Zombie’s beautiful take on “She’s my Yoko” and a submission by Japan’s The Penelope’s will guarantee your satisfaction. Ohhh and There’s So much more, but I’ve already said too much.
I also discussed this project with Phil King (from Lush/The Servants/Apple Boutique) as he was an old friend and actually started his first band The Beautiful Losers with equipment that he got from Adrian. Adrian also produced his first few songs which recently got released on edition 59 records in Germany. He also helped out with Second Layer and played guitar on a song on Cinematic as well as linked Adrian with Felt to produce their last album. We are very eager to move forward with this in 2012. We had several covers already – one which was previewed on the free label sampler, but thanks to German Sound fan, Powertool Records promoter and old friend, Thomas Keitch, who decided he would help out, and he has/is scouring the planet looking for worthy contributors. As a result, this project has really started moving ahead with submissions coming in and Jack Rabid even agreeing to contribute a track and Roy Moller has recorded his, and an old Jazz Butcher band member is rumoured to be involved with many more covers in the works. We’ll keep you in the loop.
The Social Icons have confirmed that they have begun recording their sophomore release with an interesting twist, Nick says they have begun the migration and are becoming a musical collective??? What can this mean for the ex-rebels? Stay tuned to this blog for more news as it happens… or at least every six months!!! Lol. Also keep checking the TSI site for leakages of rare tracks and the stories behind them.
Roy Moller is also a busy man with a follow up to last year’s Marc Riley approved “Playing Song’s No One’s Listening To” (Beauty 017) being released on the UK label, the Mecca Holding Company. The album is called “THE SINGING”S GETTING BETTER” and was just released May 1st, 2012 and it has more of his wit and talent on display. He also has enough songs recorded for a follow up album which may see the light of day on at a label near you. Stay tuned.